RAKTH CHARITRA-2 AUDIO-SONGS-AND-REVIEW






Director: Ram Gopal Varma



Actors: Surya, Vivek Oberoi

Rating: **1/2




REVIEW

The only time the female lead in this film opens her mouth by way of ‘strategic advice’, her husband’s (Vivek Oberoi) lieutenant loses his life. The beautiful lady admits her rightful place is in the kitchen, says she is clueless about ways of the world, returns to cook forever, I guess. The comically self-aware misogyny of Ram Gopal Varma’s movies, I suppose, is the only thing that entertains us anymore.



At another moment, a police inspector taunts the other hero of this movie, Surya (ah, truly solid -- have to say!). This sambar superstar gives himself up to cops, because his wife has been held hostage. Why would you do this for a wife, the befuddled inspector asks, and then admits right after, “Biwi biwi mein fark hota hai (All wives aren’t the same!).” Guys in my theatre laugh along.



For most parts they probably wonder where to look as images rotate at 360 degrees, even in conversations, or casual shots of moving cars. The picture seeks earth-shaking drama with every hollow scene. The camera is either on slow motion, or appears charging right at you. The effect gets nauseating, beyond a point.



Both heroes or brutal villains, as it were, are after each other for roughly the same reasons. Ravi (Oberoi) had decimated Surya’s family, because they had destroyed his (the film’s first part released a few weeks ago. It's perfectly recapped here in 15 minutes flat).



It's Surya’s blood-thirst that's driving him and this movie mad, this time on. Hammers, sickles, blood pouches are out because, as the movie puts it, “Maut shareer ki hoti hai, soch ki nahin (human bodies die, their thoughts don’t).” The new hero gets his wife to contest elections against Ravi, fight a supposed battle of “ideology” -- not sure what. The filmmaker dedicates his work to those lost to violence in the region (Andhra Pradesh: homeground of naxal extremism). This self-importance alone seems the scariest thing on screen.



The moment that truly defines this flick is the sequence where Ravi sends out a hitman dressed as a woman to knock Surya down. He shoots. The bullet follows a straight line in frozen frames. The hero bends sideways. The bullet crosses over his shoulder, pierces through a cop behind him.



The ballet begins in the courtroom. The killer in a sari runs across. Surya flattens him out with a fat lawbook, kills with a farmer's axe. It's hilarious! The superstar's fanbase down south may love it, I don't know. Regional cinema has its own poetic grammar. It’s just distressing to sense, that’s where Varma belongs now. Huh. Really?


2ND PART COULD NOT MAKE UP TO THE MARK AS THE 1ST DID





AUDIO PLAYER







TRACK LIST



Khel Shuroo

Maar (Remix)

Milatoh (Electro Mix)


Nagendra Haraya

Patthar Ko (Theme)

Patthar Ko


 
Click the below links to share this page.

Stumble
Delicious
Technorati
Twitter
Facebook

0 Comments:

gatha janama rahasam gatha janama rahasam gatha janama rahasyam gatha janama rahasyam newton kondaveeti gatha janma rahasam gatha janm rahasam gatha janama rahasyam on youtube maa tv gatha janma rahasyam episode 2 episode 3 episode 4 gatha janma rahasyam episode 2 episode 3 episode 4 telugu actor raja past life regression actress heroine roja in gatha janma rahasyam episode 4 past life regression Raaz Pichhle Janam Ka based on past life regression. camille donatacci legs spread camille grammer playboy spread camille grammer spread legs camille donatacci playboy 1995 camille grammer playboy spread camille donatacci playboy 95 nude i love new york camille donatacci spread legs camille grammer soft core raja gatha janma rahasyam close up gatha janma rahasyam taxi crabs confessions camille donatacci risque pics of camille grammer jnu mms jnu campus mms video jnu mms video clip news for jnu mms scandal mms scandal hits jnu jnu mms scandal video mms scandal hits jnu sonali bendre pantyless sonali bendre without panty underwear
 

YouthTainment Copyright © 2009-10